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Welcome to Audiophilia. We publish honest and accurate reviews of high end audio equipment and music.
Welcome to Audiophilia. We publish honest and accurate reviews of high end audio equipment and music.
All in Accessories
I’ve had a lot of success using isolation devices under high end components (platforms, pucks, feet, etc). My early platform days were with a Townshend Seismic Sink (metal casing with air bladder) under a series of Rega turntables, a brief flirtation with the wondrous and very expensive Vibraplane, some home builts, including a tall ceramic planter filled with soil and a bog standard patio stone perched on top for my turntable (remarkably effective, if a little too ‘Flintstones’). From the exceptional Vibraplane, to demos of superb and expensive HRS (Harmonic Resolution Systems) gear, to supportive feet too numerous to mention, I’m a big fan of isolation gear. And utterly convinced of their efficacy.
Jackie Smiley, of Starscream Communications (a PR firm representing IsoAcoustics among others), suggested I review the newest IsoAcoustics product, the zaZen Isolation Platform. In fact, the product is debuting today.
The failure of my reference power conditioner had me reaching out for a replacement to manufacturers I deemed outstanding in legacy builds. I had extensive experience with a few at one time or another and thought I’d give conditioners from two highly regarded companies a whirl and report my findings to you.
AudioQuest sent me their entry level $995 Niagara 1200 Low-Z Power | Noise-Dissipation System for review. It had far from entry level performance, enjoying lots of trickle down technology from its more expensive siblings, the Niagara 3000 ($2995), Niagara 5000 ($4995) and Niagara 7000 ($9499).
A couple of years ago, I was introduced to AudioQuest’s ‘Low-Z Power | Noise-Dissipation System’ products by a deep dive shootout at my place with the local dealer followed by an Audiophilia review of the 5000 model ($4999). The introduction continued with a lengthy demonstration of the top of the line unit, the 7000 ($9499), at a Vancouver dealer event. Not only were the differences between each model easy to hear, but the overall effect of AudioQuest’s Low-Z products was very impressive. The Niagara Series models include the 3000 ($2995), 5000, 7000 and entry level 1200 ($995), the subject of this review.
AudioQuest’s Senior Director of Engineering, Garth Powell, has put an inordinate amount of time into the design and development of the Niagara Series of power conditioners. Anybody listening to his three hour evangelical lecture/demos will know that. The Passion According to St. Garth.
Every so often, when my stereo system sound quality has been inspiring delight for an unusual lengthy period of time, I decide to tinker just to see what else is possible. Can I get the sound quality even better (even if just a tiny bit) by some small adjustment? Examples include experimenting with different analog or digital interconnect cables, power cables, or isolation footers to be placed under various components.
Coincidentally, I was in just such a tinkering mood when I visited a Fall 2019 VPI Industries House event in which IsoAcoustics, a Canadian company specializing in audio isolation products, was there represented by President Dave Morrison. He was demonstrating his Gaia Series of loudspeaker isolation footers on various Focal floor standing speakers.
This Chinese-made, $200 Amazon stop-gap device had audiophile mediocrity written all over it.
First, a story.
My power conditioner (PC) blew an onion, and the short to ground left it humming badly and tripping the breakers for the music room and kitchen!
The only casualty was a $100 electrician visit plus the conditioner fault blew a $100 Sylvania NOS 4U5AG rectifier tube in the $16,500 phono stage’s power supply.
I’m waiting for a few stellar, expensive PCs from three very capable companies, but, in the meantime, threw in this $200 unit.
Complimenting the ongoing upsurge in LP sales, one can find a variety of record cleaning machines in the market place from which to choose, anywhere from a low of $30 to a high of $6000 (CLEARAUDIO - Double Matrix Professional Sonic Record Cleaning Machine, fully automatic). They can look in appearance anything from a toaster to a turntable.
Certainly one of the classics (at $600) with a history going back decades is the VPI Industries HW 16.5 Record Cleaning Machine, combining both an 18 RPM turntable motor (while you clean with fluid and brush) and a high-powered vacuum (to remove the fluid from the grooves after cleaning)—I currently use one as my reference. Machines of this sort can be heavy and large and there are various other companies that follow this route.
That’s a pretty fancy title for a power conditioner. A device to clean up the nasties that find their way into your system. Fancy, maybe, but I find the good ones an indispensable component. Is the impressive moniker apt?
AudioQuest, maker of very fine cables and digital devices has produced a new series of power conditioners (the conditioner under review, the 5000, USD$3995—sits between the 1000, USD$995—and the 7000, USD$7995). AudioQuest is very serious about the technology and ingenuity they bring to solving this pesky audiophile problem.
AudioQuest says: ‘The science of AC power delivery is not a simple one; it demands focus, and the devil is in the details. In fact, the great increase in airborne and AC-line-transmitted radio signals, combined with overtaxed utility lines and the ever-increasing demands from high-definition audio/video components, has rendered our utilities’ AC power a somewhat antiquated technology.‘
Emergency! All hands on deck! You know the feeling, audiophiles. You’ve just launched a stylus, the digital box just crapped out, or you just blew a tweeter changing interconnects without switching off. Happily, nothing like that here, but I was out of rack space. I hear you significant others laughing, but for OCD types like me, with three pieces of gear to review without a home and with deadlines looming, well, panic stations! Not even time to call the Canadian Target, Harmonic Resolution Systems (HRS) or Massif Audio Design (MAD) reps (my three favourite racks) to wangle a rack at an accommodation price. I want it now! And I’m in beautiful, but somewhat sleepy Victoria, BC.
I headed down to Atlas Audio and Video where I knew they sold great high end kit but also showcase some gorgeous racks. No MAD or HRS, but they did have Target and some very lovely Salamander Designs racks on display. Karl Sigman wrote a review of one of their racks in Audiophilia and did a tour of the factory. Because of the strong US dollar, the price of Salamander’s Archetype System stand made me flinch. Atlas’ very nice owner took pity on me and let me have the stand at his cost. Thank you, William. Cost was still a mouthful, but the stand is so beautifully made and my need was great, so I got out the card.
Unpacking the wood and hardware was the cost's tell. The stand is simple but made beautifully. The hardware works smoothly and effectively. Quality machining and lovely carpentry. My rack is in maple (also available in Walnut, Cherry and Black Ash).
For those of you who own record collections and spend hours enjoying the listening that records bring, it is no surprise how important proper care and handling of your precious vinyl is to maintaining performance. One of the major problems that raises its ugly head is record warp. One has to deal with the muddying effects warped records produce including throbbing, overblown bass, and, if really bad, miss-tracking.
