All in Star Component Award

HiFiman HE-R10P Closed-Back Planar Magnetic Headphones

Since its founding in 2007 in NYC (now located in Tianjin, China), Hifiman Electronics, known simply as Hifiman, has almost exclusively been offering over-ear, open-back planar magnetic headphones and more recently open-back electrostatic headphones. Noteworthy among their highly regarded planar magnetic releases include the HE400, HE1000 and HE1000se, the Sundara (review forthcoming) and Susvara, and even a wireless model, the Deva. Prices range from $169 for the HE400 up to $6000 for the highest-level planar magnetic model, the highly acclaimed Susvara.

Hifiman’s two electrostatic models are the Shangri-La Jr. and Shangri-La, each paired with a special electrostatic Hifiman amp and sold as a combo. The cost is $8000 for the Jr, reaching a mind-popping high of $50,000 for the truly extraordinary ‘Ultimate Flagship’ Shangri-La combo; its vacuum tube amplifier alone is a masterpiece of art—a must see (and hear, if you get a chance; I have been lucky to do so). There is no serious debate; Hifiman makes some of the finest such high-end audiophile quality headphones available, along with worthy competitors such as Audeze, Focal, Sennheiser, Grado, among others.

Apple HomePod mini

For a deep dive into the big sibling of the new HomePod mini ($99), please refer to our review of the original, full sized Apple HomePod (and our six month follow up). Many HomePod features found at launch and in updates can be found on the new mini.

With the mini, Apple’s smart home ‘Homekit’ features have been improved. Even silly Siri is better and she has added a useful ‘Intercom’ feature. Security, as always from the mothership, is a priority. No ‘anything goes’ Alexa.

There are literally hundreds of reviews on the web and YouTube videos with in depth looks at the features of the mini. I’ll list some important ones below then jump right into our brief, with focus on its use and sound.

Tri-Art Audio B Series 4 Open Speaker

Down the ribbon of highway, due east from the frenetically paced GTA (Greater Toronto Area), lies the somnolent university town of Kingston, Ontario. Queen’s University, as an intellectual hub of all eastern Ontario, has been the centre of Kingston’s relevance for a century. But if one looks past this well established landmark, one finds a business of some significance that has been quietly sounding out its audio relevance for the last 10 years—Tri-Art Audio.

Arising out of the ashes of the great stereo retail shop of the 1970s and 80s, House of Sound, where Steve Ginsberg worked as a technician—that wonderful bricks and mortar place penurious Queen’s students like myself hung around in the few moments we had free—has come Steve’s and his sons, Simon and Evan’s extraordinary business adventure—a quality international seller of fantastically sophisticated paints and some of the hippest audio equipment on the planet—the fabulous jewel of Tri-Art Audio. A fantastically interesting business anomaly—paint and sound!

Innuos Statement Music Server

If you would like a deeper dive into Innuos as a company and its philosophy, please read my review of their ZENith Mk3 1T Black Music Server ($4249). As promised in that review, here we have a review of Innuos’ top music server, aptly called Statement. The $13,750 Statement is a no-holds-barred entry into the super server sweepstakes. With apologies for the alliteration, the ‘super’ is appropriate—the Statement will be compared to some very serious high end digital players. With the Statement, Innuos has joined an exclusive club after only four short years of manufacturing. Quite remarkable.

Interestingly, as this type of storage device becomes more de rigueur in a high end system, prices have been creeping up. A music server is basically a computer with a high end audio personality, meaning incredibly quiet power supplies (and many other attributes) bringing extraneous noise down to micro levels (there’s so much of it on standard computers through processing, apps, etc), leading to smoother, effortless digital sound for the DAC to apply its magic. Expect to spend several thousands to get top quality servers.

Allnic Audio L-8000 DHT Preamplifier

This spectacular, $22,900 audiophile work of art came to me as a stop gap between distributor and dealer. Victoria is not exactly midpoint between Kelowna BC and Portland OR, but I was very grateful to distributor David Beetles of Hammertone Audio and US dealer John Ketchum of Kevalin Audio for their kind consideration. As such, the L-8000 DHT Preamplifier was here for a good time, not a long time.

Beetles has been slowly tormenting me with better and better Allnic Audio products to review, which I’m happy to accept on behalf of myself and our readers; a couple of which have been generously given on long term loans (H-7000 and L-7000) to use as references in my system. So, with full disclosure, I offer you my unencumbered story of what is probably the finest and certainly most expensive component to have graced my listening room.

Innuos ZENith Mk3 Music Server

I first heard an Innuos product and the considerable buzz about this fairly new Portuguese company—formed in 2016 in the sunny Algarve—at the 2018 Rocky Mountain Audio Show. The Innuos unit I heard at length was the Statement Music Server, the top of the line unit (up to $15,000—review unit requested). In fact, numerous Innuos units were placed in several rooms—all rooms sounding uniformly collaborative. I heard Innuos models serving products from Spatial Audio, Anticables, QLN Loudspeakers, and Vinnie Rossi integrated amplifiers, amplifiers and preamps. They were all singing Innuos’ praises and the Innuos servers, right back at them. In fact, rarely have I been so engrossed in different showrooms playing digital content.

I enquired about a review unit of any of their products for our readers. Then came the typical, glacially-paced song and dance between reviewer, distributor, dealer and manufacturer after the craziness of a show. When we did finally connect, I found the Innuos chain, from US distributor Well Pleased Audio Vida to Portuguese home base, efficient and patient. As such, I’d like to thank Mark Sossa of Well Pleased Audio Vida and Mandy De Castro, Event Manager of Innuos, for their kind considerations.

IsoAcoustics zaZen Isolation Platform

I’ve had a lot of success using isolation devices under high end components (platforms, pucks, feet, etc). My early platform days were with a Townshend Seismic Sink (metal casing with air bladder) under a series of Rega turntables, a brief flirtation with the wondrous and very expensive Vibraplane, some home builts, including a tall ceramic planter filled with soil and a bog standard patio stone perched on top for my turntable (remarkably effective, if a little too ‘Flintstones’). From the exceptional Vibraplane, to demos of superb and expensive HRS (Harmonic Resolution Systems) gear, to supportive feet too numerous to mention, I’m a big fan of isolation gear. And utterly convinced of their efficacy.

Jackie Smiley, of Starscream Communications (a PR firm representing IsoAcoustics among others), suggested I review the newest IsoAcoustics product, the zaZen Isolation Platform. In fact, the product is debuting today.

Nordost Frey 2 Speaker Cables, Interconnects and Power Cords

Cables are notoriously difficult to review. Capturing the subtle, even minute changes good cables make can be challenging to describe on the page. The ear is a much better arbiter than the written word. Thus, the description must be super accurate if the writer has a whisker of a chance convincing cable naysayers. Also, long term thinking is required to really hear the positive effects cables have on your system.

Connecting two or more cables from a ‘loom’ from one manufacturer makes things even more difficult, even though multiple products of the same design in the system should make changes seem more obvious. Literally, too much information in one sitting can lead to confusion (ever wonder why on black box recordings pilots ignore obvious multiple klaxon warnings when in deeply stressful situations?). As Emperor Joseph II says to Mozart, ‘Too many notes’.

Allnic Audio Rose MC Cartridge

The new Allnic Audio Amber MC Cartridge ($4500) was recently reviewed very favorably by Audiophilia where it was also mentioned that Amber had an equally new twin sister, the focus of my review here: the Rose MC Cartridge which retails at the significantly lower price of $2900.

Although not an identical twin of Amber—for it comes in a beautiful rose-colored Duralumin 5052 housing (versus amber-colored) with the name ‘Rose’ written elegantly in white on its right side—it is identical looking otherwise, almost identical in construction and, like the Amber, is handbuilt by master Allnic Audio designer Kang Su Park. As I discovered and will elaborate on in this review, the Rose is a true bargain, handily performing above its price point, so beautiful to look at and very easy to install.

Icon Audio Stereo 40 MkIV 'Plus' Integrated Amplifier

Icon Audio’s Canadian distributor, Warren Lavender, has been excited to share products with Audiophilia for review. I echoed his excitement for Icon’s remarkably good phono stage, the PS1 Mk.II. It was such good value at $2400, I purchased the unit for my mono setup (it has a rare ‘mono switch’).

Lavender was equally excited about Icon amplification and preamp designs, including integrated amplifiers. As Icon owner/designer David Shaw calls them, ‘All Valve’. Brit-speak for tubes. As such, Lavender requested a review of the 50W (Ultralinear) 30W (Triode) Stereo 40 MkIV Integrated Amplifier. The MkIV is a KT88 based design. The 4 KT88s are a matched set.

Allnic Audio Amber MC Cartridge

The star products from South Korea’s Allnic Audio continue to arrive on the island for review. Usually, the delivery guy/gal is cussing me under his/her breath wrangling the massive boxes in which the Allnic tube amps and preamps arrive. This time, no grumbling. A tiny cartridge.

The new Allnic Audio Amber Moving Coil Cartridge, in fact, the more expensive sister to the equally new Rose MC Cartridge ($2900—now in Karl Sigman’s hands—review up late August). The MSRP of the Amber Moving Coil Cartridge is $4500.

SONOS Arc

Driving with cabriolet top down on a particularly sunny Spring day last month, I heard the CEO of Sonos, Patrick Spence, being interviewed by Nilay Patel of The Vergecast. Spence was particularly smooth and spoke mostly in corporate talk but did take responsibility for the debacle last year where some bright spark at Sonos decided to brick older products when new software updates were applied. Even with a healthy discount, my older purchased review units were expensive and not ready for the landfill. As such, the anger was not typical of the ‘faux-outrage’ you read every day on social media. It was visceral.

The tenor of the Verge interview got me thinking about the birth of Sonos and its exponential growth based on superior engineering and brilliant marketing. Word of mouth, too. And then my thoughts turned to more challenging days—the massive layoffs, the paradigm shift to ‘smart’ speakers and how Sonos navigated those minefields. Finally, the transition to the new products and post debacle marketing.

Mojo Audio Mystique EVO Pro D/A Converter

The vast majority of modern audio DACs use a Delta-Sigma DAC chip because such chips are now tiny, manufactured by companies that sell them in mass relatively cheaply, and have become outstanding in quality. Examples of such chips include the California USA Company’s ESS Technology 9038PRO SABRE chip used in many of the highest-end DACs. Even their slightly lesser chip, the ESS Technology 9028PRO SABRE has been used impressively in some high-end DACs with which I am familiar such as the Mytek Brooklyn DAC + at only $2195.

There are, however, a few companies that use other methods. One novel alternative is illustrated by PS Audio’s DirectStream (DSD) DAC at $6000 that stands out because of its use of a Field Programmable Gate Array (FPGA) which is a circuit board that is programmed with software (that can be upgraded on a regular basis) to perform the essential conversion, and does so using DSD. This FPGA method for use in Hi-Fi audio, however, requires sophisticated software to run which most audio designers do not have the knowledge to assure (PS Audio, for example, leads their effort with one incredibly talented man: Ted Smith). The DirectStream DAC has been my reference for a number of years now.

Audio Art Cable Statement e2 AC Cable

After two reviews of Audio Art Cable products already under my belt, I am now presenting the 3rd: Audio Art Cable Statement e2 Cryo AC Cable. It is a power cable at 15A, IEC, with solid, classy-looking, silver colored Furutech Nano Crystal Formula FI-50(R) NCF and FI-48(R) NCF plug sets.

They retail for $1, 380/metre; I was sent two for my review to use with my monoblock amps. As with the other two cables I reviewed, this AC cable is from the Statement series, their flagship level of cabling, and has a similar, attractive Techflex sleeving. It is the thickest of the three cables, about 1” in diameter, but relatively easy to manipulate and connect. The wiring is a 10 gauge, 6N pure single crystal UP-OCC copper/silver plated UP-OCC hybrid array. The Furutech plug sets used are considered some of the very finest available for power cable termination.

Allnic Audio M-2500 Monoblock Amplifiers

The new Allnic Audio M-2500 Monoblock Amplifiers are available in three tubed versions: PX25, 300B (both Triode) and the subject of this review, KT150 (Pentode). The MSRP for the KT150 tube model is $14,500/pair

Audiophilia has reviewed a number of Allnic products, preamps, phono stages and cables, but no power or integrated amplifiers. All reviewed so far have received Star Component Awards and a few were included in our Products of the Year lists.

Audio Art Cable Statement e IC Cryo Interconnect Cable Pair Silver XLR

This is my second review of Audio Art Cable products; the first review was for speaker cables. This time round, a pair of balanced (XLR) interconnects: Audio Art Cable Statement e IC Cryo Silver XLR; again from their Statement series which is their highest level.

These XLR cables offer the same attractive grey look with a braided Techflex sleeving as the speaker cables, but are thinner (3/8” diameter versus 1/2”). The cable’s MSRP is $960/1 metre pair. I was sent a 1.5 meter pair for this review at $1040. This is not expensive in the realm of high-end audio where a pair of XLR interconnects can be found at prices that can compete with a car.

Alta Audio Celesta FRM-2M Loudspeaker

This is the first update since its debut in 2013 to what I consider Michael Levy’s finest loudspeaker design. Others would disagree as to his finest—the Hestia Titanium ($32,000/pair) or the Alec ($10,000/pair) as examples—but the Celesta FRM-2 is certainly my favourite. For almost 8 years, it has led the pack in its $15,000/pair price range. In my experience, to match or better the musical and aural experience from the Celesta stand mount (one could hardly call the FRM-2 a monitor-style or bookshelf speaker with its heft and girth), you would have to purchase speakers such as the Raidho D1 at $28,000/pair or the Magico Q1 at $26,500/pair. To be sure, both speakers are exceptional and do things that are very special, but so does the Celesta—for far fewer dollars.

In business since 2011, Alta Audio is based on Long Island and has a plant in Connecticut. They manufacture a discerning line of loudspeakers to fit a variety of room sizes and budgets. Audiophilia has reviewed most of them. Like the very best loudspeaker companies, Alta Audio has a ‘house sound’.

Audio Art Cable Statement e Speaker Cable

Days before the World Health Organization proclaimed a pandemic in early March, 2020, I was introduced to Rob Fritz, Founder of Audio Art Cable, based in San Diego, CA; a company founded in 2005. After several emails and a phone conversation, I was impressed with what I learned and thus agreed to review from a variety of their very reasonably priced, high end, hand-made cables from among speaker, interconnect and power. The Audio Art Cable website also contained an intriguing statement that caught my eye and impressed me further:

There’s a good chance, after you’re done evaluating the performance improvement of Audio Art Cables in your system, that you’ll forget about your new cables—as you should. The music will captivate you, pull you into its magical spell, as you dance, or hum, or tap...and smile...

I would add after ‘smile’, ‘and distract you from worries’.

AudioQuest Niagara 1200 Low-Z Power | Noise-Dissipation System

A couple of years ago, I was introduced to AudioQuest’s ‘Low-Z Power | Noise-Dissipation System’ products by a deep dive shootout at my place with the local dealer followed by an Audiophilia review of the 5000 model ($4999). The introduction continued with a lengthy demonstration of the top of the line unit, the 7000 ($9499), at a Vancouver dealer event. Not only were the differences between each model easy to hear, but the overall effect of AudioQuest’s Low-Z products was very impressive. The Niagara Series models include the 3000 ($2995), 5000, 7000 and entry level 1200 ($995), the subject of this review.

AudioQuest’s Senior Director of Engineering, Garth Powell, has put an inordinate amount of time into the design and development of the Niagara Series of power conditioners. Anybody listening to his three hour evangelical lecture/demos will know that. The Passion According to St. Garth.

Miyajima Laboratory Infinity Monaural Cartridge

Back in 2019, I was very fortunate to get a first look at an extensive record collection from the estate sale of a grand lady of the Canadian diplomatic corps. As the refined collection of classical LPs were primarily monophonic, purchase of 100 of them was the perfect catalyst to dip my toes into the fabulous world of monophony.

First up was the need for a monophonic cartridge. I played many of the LPs with my reference stereo cartridge, the Phasemation PP-2000 MC Phono Pickup Cartridge ($6000). It did a very good job, if hampered a little by the specific geometry and physics required by the mono record groove. A cartridge wired and setup correctly for monaural with a mono switch on the phono stage lowers the noise floor considerably. But, that’s just the beginning of why a mono-specific cartridge can be so important to the vinyl collector.