Just when you think there are no pure baritone, jazz influenced singers to entertain with quality, original material, along comes Gregory Porter. Porter was the 2014 Grammy Best Jazz Vocal Album winner with Liquid Spirit. He is also blessed with a magical baritone, full of emotion and power, but also light and shade.

Here is the 9th and latest album from Radiohead. Typical of new Radiohead recordings, A Moon Shaped Pool was self released to the internet on May 8, and will get a full rollout on CD and LP in June. Although not my regular musical beat, I have come to admire the British group's innate musical style and technical accomplishments. And as they grow together, their music becomes even more contemplative and profound.

I love a happy ending. I've very much enjoyed the musical Renaissance of this fine orchestra after the decades long systematic destruction of its host city and a near calamitous strike in 2010. I wasn't sure the orchestra would survive the much reported strike. Many fine players left the orchestra, welcomed by sunnier climes both musically and temperate. 

The very fine British pianist Paul Lewis turns his gifted views on one of the cornerstones of the piano classical literature, Brahms' First Piano Concerto. The work is full of youthful ardour and genius. It was intended as a symphony, but Brahms thought it a little under the shadow of Beethoven. So, a concerto was produced.

I first heard Norwegian violinist Vilde Frang in a 2015 recording of Mozart Concertos. I quickly became hooked on her gorgeous tone and exquisite musicianship and have followed her career with interest ever since. Frang’s playing has an honesty and simplicity that allows everything she plays a fresh perspective, free of artifice and the histrionics that other, maybe more technically gifted players project into the music. 

I knew that as soon as The Prodigal Son returned, at least in Elgarian terms, the Brit press would be gaga over the spoils. Daniel Barenboim, the Son, had a love affair with Elgar symphonies along with the excellent LPO, and the less excellent CBS, as recorder, back in the 70s and 80s. The press loved everything, even the recording quality. The recorded sound was awful. If you collect Columbia vinyl recordings of the time, especially from London and New York, you’ll know what I mean.  

The great German conductor Karl Böhm (1894/1981) came out of the war relatively unscathed. A couple of years banned, courtesy of the Allies' denazification project, and he was free and clear. Much like other German musicians used by the Nazis such as Strauss, Furtwängler and Karajan, Böhm dodged the proverbial bullet. 

Thierry Fischer took over the reins of the Utah Symphony Orchestra in 2009 and since then has made a significant musical mark in the state. By many accounts, the orchestra had been in the doldrums for some time. Installing the Swiss conductor was a very popular decision and by the evidence on this new Reference Recording of Mahler’s 1st Symphony, the orchestra seems to be the beneficiary of an outstanding musician. 

Musically, this is a tall drink of water, but because it's a 45 rpm supercut it runs a TT of only 27 minutes. At $40, this timing may be difficult to swallow. Yet, this new LP from Linn Records is a shining gem and will work for both audiophiles and lovers of great Haydn performances. 

Just because you love singing and have the money and profile to promote your product to the 'nth degree doesn't always make it musically viable. Failures are legion.  Happily, musicality is the one thing that ‘Family Guy’ creator Seth MacFarlane has going for him, and in spades.

I’m in Vivaldi mode. In preparation for some concerts featuring his fabulous Op. 10 Flute Concertos, I researched their provenance. Many of Vivaldi’s hundreds of concertos (including Op. 10) were written for the girls of the Ospedale della Pietà, a combination of orphanage, convent and hospital. I’ll be visiting the Ospedale, now the Metropole Hotel, in Venice in September. 

Atlantic [55:57]

A Head Full of Dreams is Coldplay’s seventh and possibly final album. Lots of rumours. It follows the dreadfully sappy Ghost Stories [2012], written primarily in response to lead singer Chris Martin’s much publicized divorce from gobby actress Gwyneth Paltrow. 

I don’t usually do reviews of discontinued CDs, but this recent gift I received is so brilliant, I thought our readers should have a chance to search for it. The original price of $79.00 will be hard to find. Many Esoteric CDs are going for twice, five times, even ten times the original price. The Solti Ring goes for $1500 and up. Yes, Esoteric remasters are that good.

The following list, in no particular order, makes a good starting point for the audiophile new vinyl wanting to build a great sounding LP collection. Not only do the LPs on this list have the very best in audiophile quality sound, but they are legendary performances, too. Please add yours in the Comments Section. Thanks.

So, how does one approach conducting and recording the greatest symphony of the 20th Century? A strong and varied attack, I think. Attack may be too strong a word for a musical task, but faced with the daunting prospects of ‘competing’ with the Mravinskys and Karajans of this world, attack may not be strong enough. Karajan thought so much of Shostakovich’s 10th Symphony he recorded it twice, analogue and digital.

Two major artists create Beethoven magic, here. Portuguese pianist Maria João Pires has long been a star on the international circuit beloved by music lovers and pianophiles who like their artists to walk softly but carry a big stick. No star aura, just deep musicianship.

Last week we published the classical version of this Audiophilia Top Ten. Like classical and popular reissue LPs, the list could (and should) be hundreds in number. A little fun with a Top Ten but a serious list, nonetheless. And each LP will bring unalloyed audiophile pleasure for their recordings and performances. Repertoire? Well, that’s up to you.

I think it’s in every Englishman’s DNA that the gene ‘Must love Elgar’ exists. I have it, but as an identical twin, it was halved and diluted at birth. Therefore, I love Elgar’s Violin Concerto, In The South, and the 1st Symphony. Froissart, the Cello Concerto and his oratorios I can do without (ever played The Music Makers?!).