I knew that as soon as The Prodigal Son returned, at least in Elgarian terms, the Brit press would be gaga over the spoils. Daniel Barenboim, the Son, had a love affair with Elgar symphonies along with the excellent LPO, and the less excellent CBS, as recorder, back in the 70s and 80s. The press loved everything, even the recording quality. The recorded sound was awful. If you collect Columbia vinyl recordings of the time, especially from London and New York, you’ll know what I mean.